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Este
What shall I call this middle space where forests
grow unawares and you can sing
without noticing from bole to wisp
of cloud or mountain purple faced
you amorous or no you lone
shattered or no do not see
the thing as the thing any more than the sun
sees the man whose shade it makes
a life plastered like a stripe
down a runway or a voice sent down
the blind chase
of purgatory will do no more
than be put where it finally lies
What shall I call this little bowl of life
where winged ships
use the reflection of the sun
at night to make their ways each to each
colors do merge to conflagritous reds
turrets and echoes of turrets be crucified
by the hands of gods and the argus
sky retells the retelling in black in silver
and in the violins of the nameless forever
warming their strings against their reeds
What happened here that one early morning
you whispered something that I should not
have heard and I lack you ever since
Cathedrals
Walls of feather grasses part the sky
and release us among cathedrals
the silence encloses a chant always
somehow sister to sister glass face
to glass face for love of one note written on
the obverse of the soul
long before time was time
be not afraid be not away be not
not mine they sing be here
and not there or be there in your
own way my lost one my image
the chapel walls come close to kiss
your hand and the god appears
and disappears in blue shades
an etching of delirium he dances
on painted wings that replicate
that number we remember too well
take me back to that place
where nothing dries the tears drown
in your mouth and pool perfectly
in your plaster dusted palm
and the oceans scream from the cliffsides
to be joined with each other again
Allaire
I write to you
who will not stand still for me to see
what word hangs on your lips you
are defined by motion itself
there is no moment
that does not elude me
air grates in my nostrils
my tripe turns to amber
this moment alone I seem to remember
Allaire she was called and the rain
was everlasting in the observatory
where our bower was violated
by the aunts and uncles of both of us
and parents no less and past lovers
making love completely robed
but effective like blind men lighting
each other’s cigarettes in the street
I pushed a little harder and poof
she must have had her crisis in private
for she was no longer there
I tasted my lips and the taste
of Allaire’s lips had faded or had
that taste metamorphosed
into the actual blood of nightmares
for Allaire reappeared reproachful herself
among the spurned
Her replacement
was even more interested
in exhibitionism I realized
when Allaire was replaced with Allaire
and the entire sequence began again
first the glass and then the rain and finally
the years
Jared Walsh is a novelist and poet who lives in Heidelberg, Germany. He was educated at the University of Pennsylvania and Stanford University. His first novel, Interludes, was published by Scaffolds Press in 2020, and he will publish his second novel, November, later this year.
Judith Skillman paints expressionist works in oil on canvas. She is interested in feelings engendered by the natural world. Her art has appeared in Windmill, Artemis, Still Point Art Gallery Quarterly, the Penn Review, and other journals. Skillman has studied at McDaniel College, Pratt Fine Arts Center, and Seattle Artist League. Shows include The Pratt and Galvanize.