The concept of the line that runs through a line of text is just that—a concept independent of its communications. That conceptual value is uncannily visualizable in Gladman’s drawings, which sometimes flash approximations of words or phrases. The “languageness” of the drawings is radiant but unintelligible.
The Real Thing | Chris Arp
Myrtle told Horace the plan. They would take the 7:14 train to the city, to a bar called The Pit Stop.
“It’s a gay bar,” she said. “But this one has a back room. Do you understand me?”