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Their Names
For Daoyou Feng, Xiaojie Tan, Hyun Jung Grant, Yong Ae Yue, Suncha Kim, and Soon Chung Park, murdered in Atlanta, March 16, 2021
We know so little of them, those women:
even their names withheld, so far from kin
were they murdered for what is called the sin
of being who they were, no, who they’d been
to some, their names withheld: so far from kin,
from who they might’ve liked to be within.
Of being who they were—or who they’d been,
perhaps in braids, unafraid—we know nothing,
of who they might’ve liked to be with in
that moment. We mean well but can’t imagine:
once in braids, unafraid, knowing nothing
of being spat on, leered at, called gook, chink.
This moment: we mean well, can’t imagine
that so little has changed, lulled into thinking
that being spat on, leered at, called gook, chink
the past. Yet for daughters born here, even,
so little has changed. Lulled into thinking
we were safe now—from ourselves, how we’re seen,
the past, for daughters born here, even
shame is shameful: a fight not to give in
to We’ll be safe if we stay quiet, unseen.
Asked Where’re you really from? Where? to begin:
Unashamed, still a fight not to give in
to silence, incensed, common sense, not Zen.
Asked Where’re you really from? where to begin?
Not where some would like: land of temptation
and silence, incense, Kama Sutra, Zen,
blue-black hair a cascading curtain.
Not where some would like: land of temptation
in God country—the sin desire, not killing,
blood-black hair cascading a curtain
over their shame. The first immigration
law in God’s country—against desire, not killing—
barred as immoral Asian women, a screen
to cover its own shame, a migration
of blame—not ours yet ours to defend
against. Now labeled virus on TV screens,
behind Ivy degrees or rice-scrubbed skin
we’re blamed for what’s not ours to defend
yet for girls, mothers, grandmothers to mend.
Behind Ivy degrees or rice-scrubbed skin,
long hours tending pain don’t pearl into gems
but girls, mothers, grandmothers. How to make amends?
This is not where it ends;
long hours tending pain don’t pearl into gems,
no prettifying image for nameless victims.
This is not where it ends;
there’s nothing new about this. The burden
of not prettifying but naming every victim:
Daoyou, Xiaojie, Hyun Jung, Yong Ae, Suncha, Soon Chung.
It’s nothing new but it’s our burden
to bear: knowing so little of each woman.
Kyoko Uchida’s poetry, prose, and translations have been published in journals including Boston Review, the Georgia Review, Nimrod International Journal, and Prairie Schooner, as well as publications in Australia and France. Her poetry collection Elsewhere was published in 2012 by Texas Tech University Press. She lives in Brooklyn and works for a nonprofit organization.