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Their Names

 

For Daoyou Feng,​​ Xiaojie Tan,​​ Hyun Jung Grant, Yong Ae Yue, Suncha Kim, and​​ Soon Chung Park, murdered in Atlanta, March 16, 2021

 

We know so little of them, those women:

even their names withheld, so far from kin

were they murdered for what is called the sin​​ 

of being who they were, no, who they’d been

 

to some, their names withheld: so far from kin,

from who they might’ve liked to be within.​​ 

Of being who they were—or who they’d been,​​ 

perhaps in braids, unafraid—we know nothing,

 

of who they might’ve liked to be with in​​ 

that moment. We mean well but can’t imagine:

once in​​ braids, unafraid, knowing nothing​​ 

of being spat on, leered at, called​​ gook,​​ chink.

 

This moment: we mean well, can’t imagine​​ 

that so little has changed, lulled into thinking​​ 

that being spat on, leered at, called​​ gook,​​ chink

the past. Yet for daughters born here, even,​​ 

 

so little has changed. Lulled into thinking

we were safe now—from ourselves, how we’re seen,​​ 

the past, for daughters born here, even​​ 

shame is shameful: a fight not to give in

 

to​​ We’ll be safe if we stay quiet, unseen.

Asked​​ Where’re you really from? Where?​​ to begin:

Unashamed, still a fight not to give in

to silence, incensed, common sense, not Zen.

 

Asked​​ Where’re you really from?​​ where to begin?

Not where some would like: land of temptation

and silence, incense, Kama Sutra,​​ Zen,

blue-black hair a cascading curtain.​​ 

 

Not where some would like: land of temptation

in God country—the sin desire, not killing,

blood-black hair cascading a curtain​​ 

over their shame. The first immigration

 

law in God’s​​ country—against desire, not killing—

barred as​​ immoral​​ Asian women, a screen​​ 

to cover its own shame, a migration

of blame—not ours yet ours to defend

 

against. Now labeled​​ virus​​ on TV screens,​​ 

behind Ivy degrees or rice-scrubbed skin

we’re blamed for what’s not ours to defend​​ 

yet for girls, mothers, grandmothers to mend.

 

Behind Ivy degrees or rice-scrubbed skin,

long hours tending pain don’t pearl into gems​​ 

but girls, mothers, grandmothers. How to make amends?

This is not where it ends;

 

long hours tending pain don’t pearl into gems,​​ 

no prettifying image for nameless victims.

This is not where it ends;

there’s nothing new about this. The burden

 

of not prettifying but naming every victim:​​ 

Daoyou, Xiaojie, Hyun Jung, Yong Ae, Suncha, Soon Chung.

It’s nothing new but it’s our burden​​ 

to bear: knowing so little of each woman.

 

Kyoko Uchida’s poetry, prose, and translations have been published in journals including Boston Review, the Georgia ReviewNimrod International Journal, and Prairie Schooner, as well as publications in Australia and France. Her poetry collection Elsewhere was published in 2012 by Texas Tech University Press. She lives in Brooklyn and works for a nonprofit organization.