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The Smiths (un)cover songs, bioluminescence & other weird parties
welcome to the moth to the against to the candlelit window that bounces this bath glow back this coral body this faraway underwater's surface looking up from the beneath surrendering strings strung final hum our slow cap's synchronized ground stomp circular sparks treetop accessories our earth breath our hard swallows how we talk back, exactly where we want to be.
resin float,
never
sink.
Savannah Slone is a queer, bipolar, and disabled writer, editor, and English professor who currently dwells in the Pacific Northwest. Her work has appeared in Split Lip Magazine, Paper Darts, the Indianapolis Review, Glass: A Poetry Journal, Crab Creek Review, FIVE:2:ONE, Pidgeonholes, decomP magazinE, Crab Fat Magazine, Pithead Chapel, Hobart Pulp, and elsewhere. She is the Editor-in-Chief of Homology Lit, as well as the author of An Exhalation of Dead Things (CLASH Books, 2021), Hearing the Underwater (Finishing Line Press, 2019) and This Body is My Own (Ghost City Press, 2019). Her work has been nominated for the Pushcart Prize, Best of the Net, and Best Small Fictions. She enjoys reading, knitting, hiking, and discussing intersectional feminism. You can read more of her work at www.savannahslonewriter.com.
Melissa Wang is an Asian-American artist whose parents immigrated from China and Taiwan. She received her B.A. in Literature/Writing from the University of California, San Diego and her M.A. in English from the University of California, Davis. She has exhibited at Kala Art Institute in Berkeley, CA; Torrance Art Museum in Los Angeles, CA; and the de Young Museum in San Francisco, CA with a solo exhibition at Root Division (Frank-Ratchye space) in San Francisco, CA. Her work can be found in private and public collections, including Brown University’s Center for the Study of Race and Ethnicity in Providence.