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Angels and Elephants
Not many cherubs; you didn’t trust them
to be angels. You wanted fierceness and awe,
not naivety. Once in a while, you’d rearrange
the curio, pose the angels at the ready,
making sure the soft interior light caught
their otherness. Interspersed among them,
the lucky elephants you selected from the herd
like Jacob at pivotal points: browsing in town
after an argument, at flea markets where you
found solace in bartering and fresh air, shopping
against fear, getaways after wakes: Vegas,
Atlantic City, Belmont, Aqueduct,
Santa Anita, Monte Carlo. You carried them
home intact from Lourdes to Saratoga,
the Jersey Shore to the Amalfi Coast,
Kentucky, the Ozarks, Hawaii, Rome.
Gifts from friends—even I had the reward
of handing you specimens from Shanghai,
Nanjing, Prague. Here I am, dusting, sorting,
and packing them up for the move,
the garage sale. Shining beside beautiful
celestials, the most-earthiest of earth-walkers.
Your feet found granite as lies, drinking,
all manner of meanness washed away
the sands of life. You grabbed goodness,
wrestled it and displayed it in kindness
and vibrancy. You adorned the elephant
in the room with wings and swords.
Everything You Believed
Hansel and Gretel like to herd goats
one has lost its panpipe.
Dreams, prophecies and prison
walls and bars do not a cage make
gold from straw, no straw for bricks
Keynesian economics worse than
three beans for a milk cow. How now
the five planets align a spineless
harbinger muzzled, unable
to turn the other guanciale
given to Sunzi’s esteemed guest
at Banquo’s ghost parade. Three
witches eyeball the eight ball
rolling toward the corner pocket;
too much sleeping as life-sized pods
are neatly placed in your house
precisely where you rest
ye merry gentlemen who prefer
bonds, security to freedom
stones for bread, the Inquisitor said,
make the masses love the masters
who stop the pipes, build the cages,
and corner us in our homes.
Valerie Griggs has been published in Typishly, Avatar Review, California Quarterly, Coachella Review, Door Is A Jar, Green Hills Literary Lantern, I-70 Review, The Ledge, Litbreak Magazine, Apricity Magazine, Paragon Journal, Pisgah Review, Neologism Poetry Journal, Schuylkill Valley Journal, Sanskrit Magazine, Slant: A Journal of Poetry, Steam Ticket, Streetlight Magazine, and Bitterroot. She won first place in the 2019 Performing Poets Association poetry contest and the poem was published in its Literary Review, Vol. 23. She has an MFA in Creative Writing from Brooklyn College (’85) and an MA in Religious Studies, Spirituality/Spiritual Direction from Fordham University. She works as a full-time writing consultant/administrator and as an adjunct English instructor at Molloy College.
Aledra, a multi-media former student at Academy of Art Armando Alvares Penteado Foundation (FAAP), Sao Paulo, continues studies at The Institute Tomie Ohtake, (Sao Paulo City). Currently, what guides her work is the experience of tonal and material values of harmony and composition. A curiosity toward how feelings and sensory experiences enact and coexist within a contemporary aesthetic notion of asymmetry and refutation of beauty, not in a clash, but in movement, creating their particular relationship.